¹ßÇàÀÏ: 2016³â, 224p, 933 illus.
ÃâÆÇ: Quintessence Pub co. ISBN: 978-0-86715-723-9
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Novel Guidelines for Bonded Ceramic Veneers: Part 1. Is Tooth Preparation Truly Necessary? BIOMATERIALS UPDATE Bonding to Silica-Based Glass Ceramics: A Review of Current Techniques and Novel Self-Etching Ceramic Primers Analog Protocol for Obtaining the Ideal Soft Tissue Support and Contour in Anterior Implant Restorations SKYN Concept: A Digital Workflow for Full-Mouth Rehabilitation Minimally Invasive Full-Mouth REhabilitation for Dental Erosion STATE OF THE ART Esthetic Rehabilitation of a Patient with Severely Worn and Compromised Dentition Tooth Preparation and Ceramic Layering Guidelines for Bonded Porcelain Restorations in Different Challenging Situations The Challenging Anterior Transition Zone: Details for Creating an Esthetic Result
Biologic Esthetics by Gingival Framework Design: Part 3. Gingival Framework Design Procedures 3D Printed Complete Dentures MASTERPIECE The Challenge of a Natural-Appearing Fixed/Removable Implant-Supported Dental Prosthesis BIOMATERIALS UPDATE Wear of CAD/CAM Materials DENTSCAPE�: Tri-Axis Portrait Posing Implant-Supported Full-Arch Zirconia Fixed Dental Prostheses for the Rehabilitation of a Patient with a Failing Dentition Ultrasonic Devices for Minimally Invasive Periodontal Surgery and Restorative Dentistry A Minimally Invasive Restorative Approach for Treatment of Gingival Impingement
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A selection of the newest materials and best fabrication techniques for esthetic restorative results are elegantly presented in QDT 2016.
Original articles on minimally invasive procedures, CAD/CAM, difficult cases, and the ever-challenging transition zone take center stage this year.
The State of the Art article features full-mouth esthetic rehabilitation of the severely worn and compromised dentition, and the Biomaterials Update focuses on self-etching primer as an alternative to strong hydrofluoric and porcelain etching.
Rounding out the issue is a special feature on achieving excellence in portrait photography, courtesy of Naoki Aiba. |